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The criticism of Madonna's criticism

Madonna is everything we read and hear about before going to the show. The queers were angry with Betty Lago when she said that the singer's performances only included barbies and lesbian couples, but yesterday, representatives of these two "species" showed up in force at the Morumbi Stadium – even though the show was much more "family" than GLS nightclub.

Madonna is everything we see, hear and read, but still, she surprises. Yesterday the cold, technical, punctual and bureaucratic Madgie let herself be touched. She cried, improvised, thanked us and asked the public for participation at all times. Suddenly, everything that was said in recent days about the queen of pop became true and at the same time fragmented.

All the criticism, from Ego to G1, including Folha and Estadão, to the comments from friends were right. Everything that has been said about the most danceable songs and the least exciting parts of the show. That was it. Blocks with songs with good vibes and others that are calmer, fewer hits and more promotion of new albums.

What they didn't say is that Sticky & Sweet's shows weren't for dancing. The sweet and sticky tour is ego fodder for the singer. The less hectic parts of the show serve at least two things: 1-) for people to pay attention exclusively to her, the only, unparalleled, idolized hail hail queen of pop-amen, she Madonna and 2-) so she doesn't get too tired also.

Much is said about the singer's good shape, her sessions on the trampoline, and even her body mass index has been talked about these days. What they didn't say is that Madonna is also tired of it. Yesterday, on the show, she declared that she was the happiest girl in the world "and the most tired too".

And that. Madonna in two, three, five or fifteen years, or her daughter Lourdes Maria, if she follows her mother's path, when she comes to Brazil it will be the same as 15 years ago. Everything they say about her will be true, everything will be confirmed and everything will also be deconstructed and rebuilt in the face of yet another performance by the Diva.

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